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Feminist film theory has been one of the, if not the, most important strands within film theory. Shohini Chaudhuri's book will focus on the work of three leading feminist film theorists - Laura Mulvey, Kaja Silverman and Teresa De Lauretis, whose working (in keeping with the format for generic RCT volumes) represents key schools of thought or emphases within feminist film theory. Key ideas explored through a discussion of the work of these three thinkers include the male gaze, the female voice, technologies of gender, fantasy and body horror, and masculinity in crisis.

Sociologie --- Sociology --- Sociology. --- Lauretis, de, Teresa --- Mulvey, Laura --- Silverman, Kaja --- Creed, Barbara --- Feminism and motion pictures. --- Feminist film criticism. --- Creed, Barbara. --- De Lauretis, Teresa. --- Mulvey, Laura. --- Silverman, Kaja. --- Film --- Sociology of the family. Sociology of sexuality --- Movie review --- Movies --- Gender --- Homosexuality --- Viewing habits --- Images of women --- Book

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This collection of Laura Mulvey and Peter Wollen's film scripts vividly evokes the close connection between their influential work as theorists and their work as filmmakers. It includes scripts for all six of Mulvey and Wollen's collaborative films, Wollen's solo feature film, Friendship's Death (1987), and Mulvey's later collaborations. Each text is followed by a new essay by a leading writer, offering a critical interpretation of the corresponding film. The collection also includes Wollen's short story Friendship's Death (1976), the outlines for two unrealised Mulvey and Wollen collaborations, and a selection of scanned working documents. The scripts and essays collected in this volume trace the historical significance of a complex cinematic project that brought feminist, semiotic and psychoanalytic concerns together with formal devices and strategies. The book includes original contributions from Nora M. Alter, Kodwo Eshun, Nicolas Helm-Grovas, Esther Leslie, Laura Mulvey, Volker Pantenburg, Griselda Pollock, B. Ruby Rich and Sukhdev Sandhu.

Motion pictures --- Film criticism. --- Motion picture plays. --- History --- Mulvey, Laura --- Wollen, Peter --- Motion pictures producers and directors --- Production and direction --- Film criticism --- Motion picture plays --- film --- filmtheorie --- filmgeschiedenis --- filmregisseurs --- scenario --- 791.44 --- 791.471 MULVEY --- 791.41 --- 791.471 WOLLEN --- Mulvey Laura --- Wollen Peter --- twintigste eeuw --- eenentwintigste eeuw --- Groot-Brittannië --- feminisme --- LGBTQIA+ --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- Motion picture criticism --- Moving-picture criticism --- Criticism --- Evaluation

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Film criticism --- Motion pictures --- 791.41 --- deconstructie --- experimentele film --- feminisme --- formalisme --- gender studies --- Godard Jean-Luc --- marxisme --- Mulvey Laura --- narratologie --- psychoanalyse --- semiotiek --- structuralisme --- Wollen Peter --- 82:791.43 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Motion picture criticism --- Moving-picture criticism --- Criticism --- 82:791.43 Literatuur en film --- Literatuur en film --- Political aspects --- History and criticism --- Evaluation --- Politics --- Film

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This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.

Experimental films --- Independent filmmakers --- NON-CLASSIFIABLE. --- Independent moviemakers --- Motion picture producers and directors --- History and criticism --- United States. --- History and criticism. --- Interviews --- United States --- Interviews. --- film --- filmgeschiedenis --- Verenigde Staten --- experimentele film --- Breer Robert --- Snow Michael --- Mekas Jonas --- Baillie Bruce --- Ono Yoko --- McCall Anthony --- Noren Andrew --- Robertson Anne --- Benning James --- Borden Lizzie --- McElwee Ross --- Friedrich Su --- Severson Anne --- Mulvey Laura --- Rainer Yvonne --- Minh-ha Trinh T --- Reggio Godfrey --- Watkins Peter --- 791.43 --- Films expérimentaux --- Réalisateurs de cinéma indépendants --- Histoire et critique --- Entretiens --- a critical cinema sequel. --- andrew noren. --- anne robertson. --- anne severson. --- anthony mccall. --- bruce baillie. --- film and television. --- film criticism. --- film culture. --- film fans. --- film history. --- film studies. --- gender and sexuality. --- gender theory. --- godfrey reggio. --- independent filmmakers. --- james benning. --- john lennon. --- jonas mekas. --- laura mulvey. --- lizzie borden. --- media studies. --- micheal snow. --- movie criticism. --- peter watkins. --- politics. --- robert breer. --- ross mcelwee. --- su friedrich. --- trinh t minh ha. --- women filmmakers. --- yoko ono. --- yvonne rainer.

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Important documents and appraisals of appropriation art from Duchamp's readymades to feminist and postcolonial critique. Scavenging, replicating, or remixing, many influential artists today reinvent a legacy of “stealing” images and forms from other makers. Among the diverse, often contestatory strategies included under the heading “appropriation” are the readymade, détournement, pastiche, rephotography, recombination, simulation and parody. Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation's significance for art is not limited by that cultural and political moment. In an expanded art-historical frame, this book recontextualizes avant-garde photomontage, the Duchampian readymade, and the Pop image among such alternative precursors as Francis Picabia, Bertolt Brecht, Guy Debord, Akasegawa Genpei, Dan Graham, Cildo Meireles, and Martha Rosler. In the recent work of many artists, including Mike Kelley, Glenn Ligon, Pierre Huyghe, and Aleksandra Mir, among others, appropriation is central to their critique of the contemporary world and vision for alternative futures. Artists surveyed include Akasegawa Genpei, Santiago Álvarez, Art Workers Coalition, Ross Bleckner, Marcel Broodthaers, Victor Burgin, Maurizio Cattelan, Hans-Peter Feldmann, Douglas Gordon, Johan Grimonprez, Peter Halley, Hank Herron, Pierre Huyghe, Mike Kelley, Idris Khan, Barbara Kruger, Sherrie Levine, Glenn Ligon, Steve McQueen, Alexandra Mir, Keith Piper, Richard Prince, Jorma Puranen, Cindy Sherman, John Stezaker, Retort, Martha Rosler, Philip Taaffe. Writers include Malek Alloula, Jean Baudrillard, Walter Benjamin, Nicolas Bourriaud, Benjamin H. D. Buchloh, Johanna Burton, Douglas Crimp, Thomas Crow, Guy Debord, Georges Didi-Huberman, Marcel Duchamp, Okwui Enwezor, Jean-Luc Godard, Isabelle Graw, Boris Groys, Raoul Hausmann, Sven Lütticken, Cildo Meireles, Kobena Mercer, Slobodan Mijuskovic, Laura Mulvey, Jo Spence, Elisabeth Sussman, Lisa Tickner, Reiko Tomii, Andy Warhol.

Appropriation (Art) --- Art, Modern --- kunst --- appropriation art --- appropriation --- eenentwintigste eeuw --- twintigste eeuw --- Alvarez Santiago --- Genpei Akasegawa --- Art Workers Coalition --- Broodthaers Marcel --- Burgin Victor --- Cattelan Maurizio --- Gordon Douglas --- Grimonprez Johan --- Halley Peter --- Huyghe Pierre --- Kelley Mike --- Khan Idris --- Kruger Barbara --- Levine Sherrie --- Ligon Glenn --- McQueen Steve --- Mir Aleksandra --- Piper Keith --- Prince Richard --- Puranen Jorma --- Retort --- Rosler Martha --- Sherman Cindy --- Stezaker John --- Taaffe Philip --- Alloula Malek --- Baudrillard Jean --- Benjamin Walter --- Bourriaud Nicolas --- Buchloh Benjamin H.D. --- Burton Johanna --- Crimp Douglas --- Crow Thomas --- Debord Guy --- Didi-Huberman Georges --- Duchamp Marcel --- Enwezor Okui --- Godard Jean-Luc --- Graw Isabelle --- Groys Boris --- Hausmann Raoul --- Lüttiken Sven --- Meireles Cildo --- Mercer Kobena --- Mijuskovic Slobodan --- Mulvey laura --- Spence Jo --- Sussman Elisabeth --- Tickner Lisa --- Tomii Reiko --- Warhol Andy --- Welchman John C. --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; 21ste eeuw --- Appropriaton Art --- hedendaagse kunst --- Contemporary [style of art] --- Art --- appropriation [imagery] --- anno 1900-1999 --- Appropriation (Art). --- Buchloh Benjamin H.D --- Welchman John C --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Appropriated imagery --- Appropriated images --- Appropriationism (Art) --- Postmodernism --- Imitation in art --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Objet de récupération --- Ready made --- Dadaïsme --- Situationnisme --- Kunst --- pastiche [ontlening] --- Appropriation (art) --- Simulationnisme. --- Art, Modern - 20th century